It is November 1st, time for the FIRST Day Blog Tour! (Join our alliance! Click the button!) The FIRST day of every month we will feature an author and their latest book's FIRST chapter!
This month's feature author is:
This blog is featuring a contest to win a copy of Nancy's new book, Coldwater Revival. Just put in a comment and you may be the winner!
Just three weeks before her wedding, Emma Grace Falin has returned to her hometown of Coldwater, Texas, consumed by a single, burning desire. She must confront the guilt and shame of a devastating event that has haunted her since childhood.
"...What a stunning debut novel."
--Wendy Lawton, Literary Agent, author of Impressions in Clay
"An astonishing debut! Coldwater Revival is a hauntingly beautiful story made doubly so by Nancy Jo Jenkins stunning, lyrical writing. I was mesmerized from cover to cover."
--Deborah Raney, author of A Nest of Sparrows and A Vow to Cherish
AUTHOR INTERVIEW: Meet Nancy Jo...
Q. How long did it take you to write Coldwater Revival?
A. I perceived the idea for Coldwater Revival in June, 2003, and completed the manuscript in March, 2005.
Q. Tell us about your journey from writer to published novelist.
A. During my teaching career, I dreamed of the day when I could write the stories that continually swam around in my head. I didn't know at the time that it would take me four or five years of attending workshops, conferences, retreats, lectures, and of studying tapes, books and other materials before I was ready to put my newly-acquired knowledge to use, and begin writing the stories that God had prompted me to write. In March, 2004, at the Mount Hermon Christian Writing Conference, I submitted a book proposal to Steve Laube (Literary agent), and Jeff Dunn, (Acquisitions Editor) for RiverOak. Both gentlemen asked me to send them all I had written on Coldwater Revival, which at the time was 109 pages. During the summer of 2004, both men offered me a contract. My book was published by RiverOak and released in May, 2006.
Q. The agony and healing Emma Grace went through are so real. What personal experiences did you draw from to portray Emma Grace's feelings so well?
A. There was a time in my life when I suffered with depression, though it was not due to a death in the family, as Emma Grace's was. At the time, it seemed that I was in a daily knock-down, drag-out fistfight with sadness. I was truly blessed in that I was never prescribed any kind of medication to treat my depression, which proved to be relatively short-lived. But I did receive counseling, which was just what I needed to win the battle with this debilitating condition. During that time of depression I endured many of the symptoms that Emma Grace suffered through. Excessive sleeping was about the only symptom we did not share. There were times when I couldn't swallow my food, and times when I could almost touch the face of that same blackness that almost overwhelmed Emma Grace. Her sorrow and guilt were difficult scenes for me to write, and I found myself crying each time I wrote about Emma Grace's sadness and the continual ache in her heart.
Q. Emma Grace loses all desire for life when her brother dies - not eating or talking, just living in the blissful cocoon of sleep. Do you have any advice for folks who are in that dark place right now?
A. Communication was the key that unlocked the door of depression for me. Communicate with God, even if the only words you can utter are the words, "Help me." But I also benefited greatly from talking to a certified counselor; one who was trained in helping people express their pain, their needs, their fears. I hope that anyone who feels sad and lonely for an extended length of time, will contact their pastor, or someone who can direct them to a Christian counselor.
Q. Emma Grace's grandmother lives in the city while the rest of the family lives in the country. Why do you think she didn't move out to the country with the rest of the family long ago?
A. Granny Falin immigrated from Ireland to America with her husband and son when Emma Grace's papa was just a lad. This family shared a dream about their new country. It would be a place where they could find work and prosperity, raise their family, and put down roots. Even the Great Hurricane of 1900 couldn't wash those dreams from Granny's heart. Though her only remaining child lived a hundred miles away in the rural township of Coldwater, Texas, Granny could never leave Galveston. The island and the sea that surrounded the island were her home now. It was where the ashes of her husband and three children were buried. It was the home she and her husband had dreamed of during their desperate years together in Ireland. If she left Galveston and moved to Roan's home, she would be giving up the dream she had shared with her husband.
Q. Papa and Elo have a tough time showing their emotions. Elo, especially, is so hard to read in the book. Why do you think some people hole up inside themselves rather than sharing their emotions?
A. I believe we are born with a portion of our personality already deeply embedded within us. Some people are reticent to express their feelings and emotions, while others have no problem whatsoever in expressing what they feel or think. I have known many individuals who are like Elo; people we sometimes refer to as "the strong, silent type". Papa and Elo are powerful protectors and providers who waste little time and effort on words. Both of these men feel that "actions speak louder than words". Added to that is the fact that Elo feels extreme discomfort when his mother and sisters are emotionally distraught, therefore, he maintains a rigid demeanor, in part, to provide a stable link in the chain that makes up his family - The Falins.
Q. Do you have other books coming out soon?
A. Thank you for asking about my upcoming books. I'm about to submit my proposal for a novel entitileld, "Whisper Mountain". This story takes place in the early 1900's in the Great Smoky Mountains. It is the story about lost love, and a desperate woman's journey to fill the void that deprivation and loss have left in her heart. The story has elements of mystery, intrigue, murder, and of course, romance. I'm very excited about this story. I've also begun writing a sequel to "Coldwater Revival" which will parallel both Emma Grace's life after 1933, and the adventurous trek Elo begins when he falls in love.
THE FIRST CHAPTER of
Three weeks before I was to marry Gavin O'Donnell, I set my feet upon the beaten path leading to Two-Toe Creek. What I had to offer Gavin in marriage—my whole heart, or just a part—depended on the
decision I would make today.
As my feet tracked the dusty pathway they stirred loose soil to the air. My heart stirred as well, for the guilt I had buried in its depths smoldered as though my brother had just died, and not five years earlier. In the shadowed days following the tragedy, my disgrace had glared like a packet of shiny new buttons. I'd not thought to hide it at the time. In truth, I'd thought of little, other than how to survive. But at some point during that time of sorrowful existence, when my days and nights strung together like endless telegraph wires, I dug a trench around my heart and buried my shame.
From that day until this, I deeded myself the actor's role, closing the curtain on my stain of bitter memories, hiding my sorrow behind a veil of pretense. But that old deceiver, Time, had neither softened my guilt nor put it to rest; only allowed it ample pause to fester like deadly gangrene. Now, as the day of my wedding drew near, my heart cried out for healing. It was, you see, far wiser than my head. My heart understood its need for restoration—before I exchanged wedding vows with Gavin. For this reason, I now walked the trail to Two-Toe Creek. To revisit my failures of yesteryear and reclaim the peace that had slipped past the portals of my childhood. Perhaps then I could give Gavin the entirety of my heart.
I haven't finished this one yet, I got a late start reading it, but so far I've really enjoyed it. I wasn't sure if I would, since it seemed more 'literary' then I would usually choose. But I'm finding instead that I'm being pulled right in to the story without any effort.
As a writer I've heard the advice more than once, "Keep your words unobtrusive. The reader shouldn't be aware of your words, only your story." Nancy Jo throughs that advice out the window and proves you can do that and still have an engaging story. Her phrasing and dialouge seem almost lyrical, but not so much that it gets in the way of the story. I can't wait to finish the book.